CONSERVATION

CONSERVING THE CHINESE WALLPAPER

Before and After

Ottoman Sofa in Regents Gallery

The Regent’s Gallery, 131 feet in length, was built in the reign of Charles II. Finished and furnished in time for a visit from the Prince Regent in 1814, it was duly renamed the Regent’s Gallery.
In the centre of this unique space sits an incredible piece of furniture, the Ottoman sofa. A late Georgian baize and needlework centre sofa upholstered with panels of needlework with fruit, flowers and the Manners crest, with six tasselled cushions.
Due to the condition and rips in the Ottoman, we consulted with specialist heritage embroiders RSN Embroidery Studio (https://rsnstudio.co.uk), based at Hampton Court Palace. Funded by American Friends of Belvoir Castle, the RSN Embroidery Studio were commissioned to repair the damaged panels. Work included:
– Lightly surface-cleaned and placed each piece onto a support fabric.
– All holes were secured with surface couching to prevent them from increasing in size.
– All original canvas was repositioned before the surface couching.
– Carefully replaced onto the furniture.
Now that the Ottoman has been repaired, it is time to finish the restoration and reinstate the Ottoman as the centre piece of the Regent’s Gallery.

CONSERVING THE REGENTS GALLERY CARPET

The general pile condition of the carpet is good throughout. The base is brittle in places where the jute has deteriorated. In some areas the joins are weak or have split. There is evidence of moth activity and damage in areas beneath the curtains, particularly at one end of the room…

WELCOMING AN AMERICAN STUDENT

Moving from Glasgow, Kentucky to England is no small feat—but for our American intern, it was a bold step toward growth and adventure. A Public Relations major with a passion for new perspectives, she chose to spend a semester abroad at Harlaxton College and accepted an exciting internship with American Friends of Belvoir Castle.

CAPABILITY BROWN’S PARK

Belvoir Castle’s park is considered to be Capability Brown’s final masterpiece of which the linking of the Memorial Lakes is all that remains to complete his plan drawn up over 250 years ago…

The Chinese Dressing Room at Belvoir Castle is decorated in early 19th-century hand-painted Chinese export wallpaper. This design is similar to papers from the Royal Pavilion and Buckingham Palace, and like them, may have been supplied in the early 19th century by Crace, the Royal decorators. Described as ‘jewel-like’ by contemporary commentators, Chinese wallpaper used fine strokes and rich, vibrant colours, and this made them refreshingly different to the European eye and desired amongst the fashionable elite. They became coveted decorative items which graced grand houses and European palaces, creating fantastic, mythical interiors to be wondered at and enjoyed.

The wallpaper in the Chinese Dressing Room was in by far the worst condition of any of the Chinese wallpapers at the castle. The wallpaper was almost beyond repair – the delicate organic colours had faded, and dirt and smoke from fires and candles had been absorbed into the paper, creating a dull grey appearance. The previous wallpaper was not removed before hanging, and the colours had reacted and contaminated the Chinese paper above, causing considerable dark, localised staining. This was originally brilliantly coloured with a vibrant blue background and crimson, purple and yellow flowers. Unfortunately, the delicate organic colours faded, and over the years dirt and smoke from fires and candles were absorbed into the paper, creating a dull grey appearance that drained the room of its character and life.

The wallpaper was meticulously restored by the renowned Allyson McDermott and her team. Conservation treatment was textbook. After a 3-month endeavour, utilising the expertise of conservators, we reduced staining and acidity, alongside removing considerable amounts of dirt. As part of the project, the wallpaper underwent surface cleaning, aqueous treatment, removal of loose and damaged paper, and toning/retouching using natural pigments. We are delighted with the outcome of this project, having used our best endeavours to preserve a paper which was almost beyond redemption. A quite remarkable achievement made possible through the skill and hard work of all concerned and the kind generosity of our American Friends.

In 2025, the restoration was recognised by Historic Houses in their Restoration Award (which acknowledges outstanding work in the restoration of Historic Houses member properties). While we did not win the award, we had a wonderful visit from Historic Houses judge, Demetra Lindsay, owner of Hedingham Castle.